Q. To start off readers who may not know about Wintersun: A common debate amongst all of us is being able to unanimously agree on a genre/s of any given band. As far as Wintersun goes, tags such as epic, power, black, folk and melodic metal have been placed on this band. If you could describe Wintersun’s sound, how would you classify it? One title I could give is “universal metal”. Wintersun is not limited with certain genre or genres and I like to mix lots of different styles into my music with good taste of course. I will not have any specific rules what Wintersun´s music should sound like. I could even make a techno album under Wintersun´s name, but I don´t think our record company would like that very much. With the future albums Wintersun´s music will evolve quite a lot into many different directions, although I think the core of Wintersun´s music is probably always going to be “melodic metal” or “epic melodic metal”.   Q. Would you call Wintersun a solo project or a group effort? The first album was a solo project. I hired Kai Hahto to play drums on it. After that our record […]

Sludge/Post Metal band, LLNN have released a new video for their track “Appeaser” from their album “Deads”. Set for release on the 27th of April via Pelagic Records, this is what LLNN have to say with this anticipated release: We are fascinated by how the human mind tends to interpret random images, or patterns of light and shadows, as creatures and structures. A psychological phenomenon called “Pareidolia”. And how music and visuals can evoke certain emotions in us and let our imagination unfold into abstract storytelling. These are the thoughts behind the music video and the album artwork of “Deads” (with photographs by drummer Rasmus G. Sejersen). The overall album theme of “Deads” is about births and downfalls of civilizations in other worlds throughout the universe. From creation to final decay, the depletion of the host – scenes which inspired the music video. All the footage is filmed mostly with macro lenses to create the extreme close-ups in combination with a few wide shots. Created in a minimalistic setup in our parents home. (Combined with some heavy Halo Reach 2v2 gaming. Come get some!). Pre Order “Deads” Here

Influenced by a variety of music artists like NEUROSIS, RUSH, KING CRIMSON, BLUT AUS NORD, IMMOLATION, CONVERGE and MASTODON:  LATITUDES will release their new studio album ‘Part Island’ on the 5th April 2019 via Debemur Morti Productions. Looking inward for inspiration, these talented musicians present a powerfully unique record: riff-heavy and devastating, restless and condensed, melodic and atmospheric, imbued with unrelenting forward motion. Latitudes were formed 2006 in Hertfordshire, UK primarily influenced by cinematic rock, doom metal and the roster of Hydra Head Records. On their fourth album ‘Part Island’ the UK atmospheric metal band Latitudes weave emotive metallic power and dream-state vulnerability – summoning a new level of melodicism through cast-iron, heartfelt songcraft. Foregrounding vocals on every album track for the first time in the band’s 12 years, ‘Part Island’ is a dynamic collection unashamedly brim-filled with sadness and regret. Helmed by a performance of sheer naked honesty from vocalist Adam Symonds, the record incorporates acoustic guitar, piano and analogue synth within flowing volleys of melodic black metal, weighty contemplative doom and the wide-ranging wistfulness of indie, folk and shoegaze songwriting. Produced by Chris Fielding (CONAN) at Skyhammer Studio, mastered by Audiosiege (CONVERGE) and featuring artwork by the in-demand Dehn […]

Are you new to the world of death metal? Maybe you’ve heard about it but just don’t know where to start. We’re here to tell you why we think death metal is worth your time and what makes this genre so appealing! Death metal is a subgenre of heavy metal that originated in the mid-1980s. It’s characterized by growling vocals, down-tuned guitars, and fast tempos. Death metal has become one of the most popular genres for underground music and can be heard at live shows across the world. Some people are hesitant to listen because they think it sounds too intense or aggressive but we’re here to tell you there are other reasons why death metal is worth your time! Here’s our list of 6 reasons why death: 1. It’s great for when you’re angry If you’re the type of person that needs to express their anger and frustration, death metal is a great way to do it. Its aggressive energy can give relief if expressed in song form! Ever wanted to smash a face in? We’re not talking about the type of person that’s angry all the time – they listen to death metal anyway. We mean those moments […]

In 2024, the metal scene is as alive and electrifying as ever, with bands from all corners of the globe pushing boundaries and redefining the genre. From the iconic titans who paved the way to the fresh faces carving their own path, metal remains a genre fueled by passion, energy, and innovation. Whether blending genres, crafting symphonic masterpieces, or sticking to the raw, heavy riffs, today’s top metal bands are captivating millions of fans worldwide. Let’s dive into the top 10 bands dominating the metal landscape right now, and see who’s leading the charge this year.Now before we proceed, I get it – you might not align with this list because you’re just that metal. And that’s okay. You’ll be just fine. We have something for everyone over at our band charts!

Rating: 7/10 Leap of Death by Left To Suffer delivers heavy riffs and intensity, but struggles with inconsistent pacing and softer moments that dilute its impact. Leap of Death sees Left To Suffer navigating the line between chaos and melody, offering a raw, unfiltered blend of deathcore brutality and atmospheric shifts. The band’s heavy riffs are undeniably solid, with sharp production that allows the instrumentation to cut through clearly. Each track presents a tight composition, showcasing the band’s growing technical skill. While the instrumentals hit hard, the lyrics feel somewhat underwhelming. For a band whose vocal delivery often borders on ferocious, the words don’t always match the intensity. A heavier lyrical direction would’ve made the growls feel more purposeful. And though the clean vocals are well-performed, their inclusion occasionally detracts from the album’s overall force. It feels as though the band is torn between maintaining their brutal edge and appealing to a wider audience, causing the softer moments to lose momentum. Despite the band’s talent, Leap of Death doesn’t consistently maintain its energy. The flow from track to track is uneven, with some songs feeling disconnected, making it harder to stay fully immersed. That said, there are moments—specific breakdowns or […]

Rating: 8/10 Fit For An Autopsy’s latest album doesn’t break the mold, but it sure as hell crushes it. Fit For An Autopsy’s latest drop sticks to the formula that made them a staple of the scene—delivering an album that’s both crushingly heavy and hauntingly atmospheric. They’re not exactly reinventing the wheel here, but why mess with what works? The production is solid, letting every skull-rattling riff and low-end growl land with all the weight you’d expect from these death metal veterans. Lyrically, the album goes all-in on themes of decay, curses, and some good old-fashioned hopelessness. The words are intense, apocalyptic, and unapologetically bleak, perfectly paired with clean vocals that carry an eerie edge and guttural roars that could probably raise the dead. The band knows when to go for the throat with fast, relentless riffs and when to pull back and let a slow, heavy groove crush the air out of your lungs. Tracks like “Spoils of The Horde” flex their talent for dynamic compositions, starting with cinematic intros before diving headfirst into pure chaos. The flow between tracks feels almost like the chapters of a grim story, each track bleeding into the next without a single wasted […]

Rating: 8/10 Job For A Cowboy’s Moon Healer is a brutal, chaotic ride that balances raw intensity with technical finesse—This one has aged well so far this year. Job For A Cowboy’s latest album brings death metal fans a fresh wave of gritty intensity with a hint of experimentation that might just redefine what we expect from these seasoned veterans. Released in February 2024, this album already feels like a staple in their discography, marking what many are calling their best release yet. Right off the bat, the production quality hits home—crisp and balanced, with Jonny Davy’s guttural vocals standing out in the mix, delivering graphic and visual lyrics that evoke a cinematic brutality. There’s a refined intensity in his voice, a rawness that commands each track without overshadowing the instrumental heft that lies beneath. Guitarists Al Glassman and Tony Sannicandro bring an aggression to the record, though some tracks veer into chaotic territory—a byproduct of tech death that’s not for everyone but keeps the sound distinctly theirs. The tracks do maintain a groove in the breakdowns, most notably on “Grinding Wheels of Ophanim,” where rhythm and riffs find a satisfying consistency. The album’s flow is thoughtful, unfolding with the […]

Rating: 8/10 The Browning’s Omni is a powerhouse metalcore album, blending crushing riffs, synth-driven atmospheres and vocal depth for an immersive, high-energy experience. The Browning’s 2024 album Omni solidifies their status as one of the best metalcore bands today, blending industrial elements, synths, and sheer vocal force. This isn’t just another metalcore album; it’s an immersive experience with a distinct, riff-heavy edge. Key Tracks and Collaborations “Misery.exe,” featuring YouTube guitar legend Nik Nocturnal, delivers a relentless pace with spine-rattling double kicks, setting the tone for Omni’s intensity. Another standout track, “Deceiver,” kicks off with a German intro that feels like a nod to Rammstein—a perfect choice for fans who crave dark, synth-infused vibes. Then there’s “FED UP,” likely to be a fan favorite, where the breakdowns and Jonny McBee’s diverse vocal range push metalcore boundaries. Heavy and modern, “FED UP” combines screaming, melodic singing, and layered synths that elevate The Browning’s sound to new heights. The Browning’s Signature Sound on Omni Tracks like “Soul Drift” and the title track “Omni” showcase Omni’s powerful production quality, with layers of sound effects, atmospheric synths, and slick drum work. “Soul Drift” ends the album on a strong note, leaving listeners hanging and ready […]